der original soundtrack zum film! cd1 >dancefloor< contains 11 club tracks on a spectrum ranging from exclusive, unreleased songs to the dance hymns of the bar25s last season. cd2 >zirkus< is a dazzling roundup of special songs, some by artists who usually make very different music. taking turns in musical styles, 15 songs give an auditory sampling of what made the bar25 zirkus artistic mix.

dj w!ld is the french music maestro infamous for his dc10 residency and tireless work ethic. after his debut album last year, he now releases the superb d!rty on radio slaves cabin fever imprint.dj w!lds second album is a heady concoction of late night jacking cuts, interspersed with a clever use of sampling Ð infused with hip-hop attitude and vintage house. dirty is true of its namesake, a sensual journey that explores the primal instincts finely balancing male and female vocals with sonic vignettes and storming house numbers. it works as a perfect journey through w!lds sonic landscape of underground paris and beyond. dirty evokes the esteemed house sounds of dj sneak, chez damier, kerri chandler and hector moralez whilst pushing this sound further through his unique european experience and interpretation. dj w!lds album fit perfectsly on cabin fever with its famed reputation for upfront cutting edge house with a nod to the past. a perfect album for summer fun

john lord fonda is somehow a signore of electronic music in france, a free bpm hero. a simple and classy producer who only communicates through music.2012 is a new beginning for our antisocial nerd, with an ep and overall his album supersonique coming out now in france and may worldwide. he started re-producing track in 2005 delivering debaser, his previous album that sold more than 10 000 copies, having some really great feedbacks from so many medias worldwide.between june 2009 and october 2010, he got back in studio improving his production skills, getting the right way of producing for the current market, tracking all his weak point to get better, bigger. from the last years he only kept 2 tracks, brunette tattoo and orchidŽe, concentrating on brand new tracks and influences for all the rest of the album. he came back on stages in 2009 with composite, a live-set project which enabled him to discover upcoming artists and to assimilate all the new techniques.changing several time of tempo, supersonique is containing quite a few pearls, some efficient like brunette tattoo, you originate and orchidŽ. but the album also include some fine and melodic tracks like ÒemilianaÓ or toyboxes (which goes aphex twin electronica style). some ghosts from the classical music also haunt the album such as mozart, getting out (under acid) in whats going on, verdi facing some syncopated drums on sound of a melody or vivaldi on brunette tattoo. a full orchestra seems to drop a tear on orchidŽe.john lord fonda is a dance music warrior, an electro-tech seigneur, a future leader of free french techno. this second album has a huge class, a kind of urgency, full of simplicity, and goes straight to the point.

after collaborating on exclusive tracks for the labels lovingly-acidic forward to the past series, dutch duo tj kong & modular k prepare to drop their debut full-length, dream cargoes on poker flat. having been friends and colleagues in the dutch electronic scene for well over a decade, the talented pair have so much experience in working on different studio projects, and now come together in this glorious full-length exploration of their vision of house and techno today. the artists erwin van moll (tj kong) and gijs janssen (modular k) represent two decades of collected experience in the underground techno and electronic music worlds.

its a great honour for us to be able to present conrad schnitzlers last work. endtime will be released as dlp, cd and download. only a few days before he passed away last august, he created this unique, almost 70 minutes long work. 36 parts mixed into each other create a walk through his entire work. this record is not only for fans of conrad schnitzler. its like a trip through 40 years of electronic music. conrad schnitzler once more shows how strong his influence has marked young artists like emeralds and oneohtrix point never. wihtout his solo works and his projects kluster, tangerine dream and eruption electronic music wouldnt be the same. the tracks on the vinyl edition are in the order sides a,c,b,d. this allows you to make your own mix of this big work.

the new album von will.i.am incl. bonus cd with instrumentals

the spring edition incl. brian may, nicki minaj, rizzle kicks, rihanna

the greatest female soul singers of all time! incl. aretha franklin, tina turner, nina simone..

after the immense success of last yearÕs hed kandi world series: miami release, this ever popular hed kandi theme returns in 2012 with its second volume, world series: miami volume ii. floridaÕs art deco gem is without-a-doubt one of the most seductive and chic additions to hed kandiÕs global city roster, and with the hype, excitement and highly anticipated winter music conference and ultra music festival occurring in the month this title is released, world series: miami ii captures the upfront sounds from hed kandiÕs legendary pool and club parties at this prestigious and iconic jet set destination. hed kandi headline djs, eibhlin and carl hanaghan, lay down the mixes over 2 cds titled pool & club, each selecting tracks that define the atmosphere of one of the globeÕs most celebrated dance music capitals.

hospitals sublabel med school prŠsentiert blood pressure!

bassheavy dubbin techno !! 11 tracks as we like it

the yearly summit of keiji haino, jim o rourke and oren ambarchi continues with imikuzushi, which finds the group extending the power-trio strategies of last years highly praised in a flash everything comes together as one there is no need for a subject (bt05) and bringing to them a newly sustained intensity. for this performance, haino limits himself to electric guitar and vocals, forming complex networks of slashing rhythm work, noise squall and chromatic shredding, moving at times to near-silent passages of howled vocals and isolated, hanging guitar strums. the tendency towards driving free-rock which surfaced on moments of the trios last release is cemented here, with o rourkes fuzzed-out, non-linear bass riffing moving the music into almost garage-rock areas, combining with ambarchis drums to form a bedrock of hypnotic, metronomic pounding which transforms itself effortlessly into passages of flowing free-time. like all of hainos best work, the trio transcends any rock genre exercise to enter a non-idiomatic zone of ritual intensity, creating a music formed purely out of instrumental and group-mind possibility. presented as four unedited excerpts salvaged from an epic show that lasted well over three hours, the sometimes raw nature of the recording only adds to its directness and harshly emotive quality. francis plagne, melbourne, nov, 2011 released as a 6 panel digipak cd and as a limited edition double lp in a lavish gatefold with printed inner sleeves. design by stephen o malley with high quality live shots by ujin matsuo and stunning images by tokyo based photographer and sound artist shunichiro okad

big 3s three-disc set buddy holly & the rock n roll giants devotes two of its discs to buddy s classic recordings and gives the last disc over to the rock n roll giants - a collection of sides from the likes of fats domino, elvis presley, jerry lee lewis, gene vincent, little richard, carl perkins, eddie cochran, bill haley, roy orbison, and the everly brothers that also finds space for bobby charles, johnny burnette, big joe turner, lloyd price, the robins, and tommy scott, among others. not every song selection here is spot-on, either for buddy or for the giants...

please allow us the pleasure of introducing axel willner s loops of your heart. hailing from sweden, the man behind this record alone needs no introduction, as he is already well known in the electronic music scene for his project the field. loops of your heart reflects axel¼s experience in germany, where during his lengthy stays, his mantra-like arpeggiators contributed to the first manifestation of the sound of cologne tape, a group that formed while he was staying there. you can also hear this on the much sought after debut render, which came out on magazine last year. only a foreshadow for what was to about to come, willner has been living in berlin and letting his creativity go crazy. with an arsenal of special synthesizers and guitars he has put together and never ending nights . after touring worldwide with the field for the last 10 years, and never ending nights is like coming home again. you can hear german children speaking outside his studio in berlin (on the track neukšlln ) and it is not only the track titles which tell of things that have come to an end and or are about to happen. the old german musical tradition of letting yourself go (holger czukay, you, anima, cluster, you name it) is in the air, and willner breathes it. his highly personal approach to music and composition leads to nothing less then a matchless album that embodies beginning anew

seit 2003 haben sich plaid mit dem komponieren von soundtracks befasst, die ambitionierte audio-visuelle kollaboration -greedy baby- veršffentlicht, und sind Ÿberall auf der welt aufgetreten, u.a. lieferten sie eine glanzperformance anlŠsslich des warp20 jubilŠums ab. und sie tankten kraft und energie fŸr -scintilli-, ein werk, das sie handwerklich akkurat und konzentiert angingen, fŸr dessen umsetzung sie seit anfang 2009 umgerechnet einen tag pro beat brauchten. -dieser arbeitsintensive prozess garantiert langanhaltende musikstŸcke, die den ruhelosen spannungen standhalten, denen sie dank moderner wiedergabetechniken unterliegen,- so plaid. die cd erscheint im japanischen muda na mono puzzleformat, das man zu einer skulptur mit cd ausbauen kann, auf der dann, wenn richtig justiert, die tracknamen lesbar werden.

biggest hardstyle anthems ever, 32 of the best festival hardstyle anthems on one compilation. every big festival has their own anthem to promote and here it is: 32 of the biggest hardstyle anthems ever on one compilation. relive your festival feeling once again and get the vibe back. with tracks from headhunterz, wildstylez, showtek, noisecontrollers and many other makes this compilation is an absolute must-have for all hardstyle lovers.

with the summer on the horizon everybody is yearning to achieve the ultimate beach body just in time for their holidays and as always ministry of sound are at hand to help you get fit fast. we return with a brand new edition of running trax that has over 3 hours of music on 3 stimulating mixes specially designed to motivate you while you run, featuring some of your our favourite club anthems and brand new exclusive remixes. this will include the first exclusive comp usage of the monster buzz track from dj fresh -louder- along with examples 1 smash hit -cytkm- as well as massive top 10 tunes from chris brown, katy b, dizzee rascal, alex gaudino ft. kelly rowland and many more to get your pulse racing. whether you re preparing for a marathon, on the 6am jog or listening whilst on the treadmill this is guaranteed to be your perfect fitness companion, keeping you company while you work your way to the perfect body. set the pace with running trax 3!

listening through bigfield, its clear why many people consider harald one of the finest producers ofelectronic music today. every single sound is pure perfection, the colors are vivid, the arrangements tothe point yet never less than enigmatic. whats more important is that hes got soul, oceans of it. harald is a true romantic artist, constantly returning to the same themes of nostalgia, understated euphoria and sunshine over snowy landscapes. over the last few years, haraldÕs followers have heard him get closer and closer to the core of his art with every single release. finally, bigfield has arrived -his first true masterpiece, one of those rare albums that will make listeners dance, weep and smile inequal parts.

decibel outdoor is one of the biggest dutch outdoor festival in harder styles with over 45.000 party people. all styles within the harderstyles galaxy are represented (oldschool, hardstyle, hardcore, raw hardstyle, etc.) on different stages. the three cds of decibel outdoor 2011 will be mixed by the headliners of the festival: 1. psyko punkz for the hardstyle disc, 2. ruthless will deliver a freestyle mix of belgium beats, oldschool and (happy hardcore), and last but not least: 3. endymion is asked to do mix the full hardcore disc. a great souvenir for the ones who visited the festival or all other lovers of harderstyles. don t miss out!

moving on from the last release this compilation captures stars of the underground in their transition to superstar status. this is grime vol ii features all the legends of the grime scene, including wiley, skepta, kano, dizzee rascal and lethal bizzle alongside some of the other superstars who passed through the scene such as katy b, n-dubz, chipmunk, wretch 32, devlin and tinie tempah, without forgetting the new breed of talent such as p money, tre mission and scrufizzer. disc one features current grime anthems while disc two takes you back through the history of grime. this one is a must for all grime listeners past and present.

el rego is a true legend of african soul music. here for the first time on album are 12 of his greatest recordings from the late 60s and early 70s hand-picked by daptone records. afro-soul collector/ dj frank gossner had spent years combing west africa tracking down 45s by theophile do rego (aka el rego) before finally meeting him face to face in his home in benin. from that relationship came this album, which we present to you here in a 20 page hardcover bookcase cd featuring el regos own story of his life and music along with pictures from his personal collection and artwork from his original 45s. the music has been remastered with great care, and the vinyl contains an exclusive bonus 45 (while supplies last) of se na min, one of his most sought after afro-funk tracks, backed with e ma non tin me, a beautiful and somewhat more traditional song about two blind men who agree to go together and leap to their deaths into a river.

demissions is the album every in-the-know electronica fan has been anxiously awaiting for the last ten years. phoenecia, the duo who put experimental electronic music on the map in the us with their soul oddity releases, their infamous schematic label, their early releases on warp and their brilliant albums brownout & echelon mall, are back with new album destined to be as ageless & influential as any of their previous contributions. what strikes the listener at first is how seamlessly the songs throughout the album integrate acoustic percussion with electronics, most notably on the twelve-minute epic first track two-part invention for bodhran & computer.

the album is just a few seconds under an hour long, consists of seventeen tracks and covers every style from wonky reggae through pop-funk, street spitting, straight up hip hop, sung ballads and epic death-disco. it deepens much of what mr manuva has already achieved over a glorious decade of innovation, but also throws in enough new ideas and adventures to last most creative artists a lifetime. we think it is his very best work since run come save me. we re wondering (whisper it) whether it might be his best album ever.

nach digitalism & phoenix praesentiert das heissegehandelte, brasilianische dj-duo the twelves mit der neuen folge der mixserie -kitsune tabloid- einen definitiven anwaerter fuer das mixalbum des jahres! beruechtigt fuer ihre remixes, u.a. fuer m.i.a., la roux, aber auch fuer nirvana(!) und die beatles(!), liefert das dj / produzenten-duo the twelves aus rio de janeiro ein erstklassiges mixalbum auf dem pariser label kitsune ab. das tracklisting ist eine grandiose selektion aktueller trendsetter von siriusmo ueber juan maclean und daniel wang bis zongamin, dem aber ein feuerwerk an bislang unveroeffentlichten, exklusiven the twelves dubs ihrer juengsten remixes fuer solch angesagte hochkaraeter wie munk, metric, two door cinema club, french horn rebellion oder black strobe vorangeht. ob nu-disco, retro-house oder der ganze rest, the twelves bringen den funk zurueck auf den dancefloor! the twelves -kitsune tabloid- hat das zeug zum mixalbum des jahres!

soaring by the bank of la seine, we soak in tipsy chanson and say goodbye to the bleakly cold. la chanteuse de jazz presents you luscious melodies to welcome the coming romantic season. the album first brings you josâ phine bakers j ai deux amours rendered by ranee lee, the winner of juno awards in 2010, with elegant piano to build up the atmosphere of left bank. then, annie royer, the charming bilingual vocalist, with her beautiful voice that brings on images, performs dith piafs hymne l amour and padam. after that, chrstine albert from new york brings you charles trenet s la mer with her cute tone. lavalse des lilas composed by michel legrand, the composer of the umbrellas of cherbourg is rendered by carol welsman, the smooth jazz queen of canada. caroline daly presented c est magnifique, the song composed for can-can by the american composer, cole porter. of course, last but not least, isabelle antena, the popular bossa nova queen in france, gives you her unique version of la pecheresse a la ligne, nous dormirons esemble and melodie to put on a little romance for this spring!

silent dust is the project of uk duo dan blishen (originally from manchester) and andy hobbs (hailing from kent), who produced drum & bass together for years under the respective monikers zyon base and hobzee. their self-titled debut,silent dust,brings their signature d&b sound into a different light, drawing from a wide range of influences - ambient, drum & bass, garage, dub, breakbeat and soundtracks. the result is a collection of deep, bass-laden productions that sound like absolutely nothing else, filled with lush arrangements, an array of found sounds (footsteps, vinyl crackle, sellotape stretching), cinematic vocal samples and glitchy, idiosyncratic drum programming. the album travels through a wide range of emotions and sounds - from the sublime intensity of the giant (equipped with floating operatic samples and tight drum programming) and the dark atmospheric grace of marlowe, to the weighted basslines of the club-suited zero nine zero and the sheer beauty of winter song lined with strings and a reggae-tinted vocal. though its driven by experimentation, this is a d&b record at heart: even the ambient tracks were written at 160-170 bpm. their debut album was originally signed to soul:r, but was pulled at the last minute: the duo bravely opted to start their own label, none60, to release their tour de force.silent dust is a downtempo, atmospheric album that will become an instant favourite for open minds, and for those who seek something new. one of the most unique records to come out of d&b this decade.

andy vazs straight vacationing, his first full-length artist album, since the 2006 release of repetitive moments last forever, registers as less a straight-up collection of dance-floor burners and more of a variety pack that mixes club tracks and full-fledged house songs. listeners hungry for just ordinary 4/4 throw-downs will not entirely get their share of those, but theyll also get a whole lot more on this dynamic and well-rounded set of eight album tracks and that is exploring house music not just as a simple one way street, but give you a very personal view of the music we call house. straight vacationing dives into the genre in all its rich variety: from deep melodic, early chicago influenced acid house, jacking-jedi mind tricks to disco-type grooves and last but not least excursions into bizzaro world, with a vaz typical almost psychedelic experimental-edged sound, its all there.

driver drive faster are a new band from manchester, but you wouldnt necessarily tell. this masterful debut album presents a rich, timeworn sound that exists somewhere between americana and spectral indie rock. its crafted song-writing at its best, hinging on stirring chord sequences and moments of fragile beauty. -a review described us as misfits,- says singer/ guitarist dylan giles. -we took it as a compliment.- named open house and recorded in the shared digs in which the entire band reside, the album was a labour of love begun in late 2009, poured over in 2010 and set for release in 2011. the result is a lush, layered record that slowly draws you into its world. think mercury revs deserters songs for a new generation.

klik records proudly presents the third installment of the life on remix compilation series.the full cd features 9 remixes produced by klik records artists and guests such as hiroshi watanabe, scsi -9, siopis, vince watson, nhar, alex dimou, lee burton,nikos diamantopoulos and sunset blvd.the remixers worked on past,present and future classic klik records tracks Ð 9 remixes moving in a soundscape that extends from absolute minimality to cutting beats.deep techno and melancholic synth pads and strings,creating a densely woven emotional web.deep tech with groovy basslines,trippy synth pads and special,lazy voices that cant go unnoticed.

2011 sophomore release from the east london quintet formerly known as dark captain light captain. the band released their debut full-length miracle kicker in 2008 to critical praise across the board. the album spawned a surprise hit stateside with -jealous enemies- and catapulted dark captain all around europe and the uk, where they gleefully shared stages with the likes of sophia, 65daysofstatic, tunng and laetita sadier (stereolab). late last year, the band disembarked the relentless carousel of budget flights, punctual soundchecks and questionable service station snack food to record their follow-up. dead legs & alibis is the shimmering, restless result of these endeavors.

its a thing of stately, fragmented, charred beauty....this is a stone killer from first to last beat.

one of the most referenced producers of the last year and one of the most influential producers on the scene: mk aka marc kinchen presents a sublime collection of his work, much of which has been previously unavailable digitally, on this latest volume in the house masters series. during the halcyon period of house music in the early 90s, marc kinchen became one of the genres most respected producers and in-demand remixers. starting out at an incredibly young age in detroit as a protŽgŽ of techno god kevin saunderson before later moving to new york, he fast became a prolific figure in the dance music community. here twenty of his most influential of recordings are collected and made available completely unedited, unmixed and dj friendly for the very first time. this package includes 9 tracks that have never been made available digitally.

otdxi is the newest installment in the classic r&s compilation series. previous installments have been responsible for rounding up the labels roster at the time and presenting their finest tracks to a wider audience, and have gone onto become classics in their own rights. with r&s again re-positioned as one of the most forward thinking electronic labels and with an enviable roster of cutting edge young talent it makes perfect sense to relaunch the series. disc one contains highlights from the last 18 months and includes contributions from blawan, lone and untold whose classic r&s influences are worn on their sleeves. tracks from james blake, pariah and the chain take cues from a distinctly uk sound, which the label has been keenly following from its new london base, and in cmyk have the biggest single from 2010.

anders trentemoller has become one of the most respected names in cutting edge electronic music in the last few years. his rise to notoriety was sparked by his early, techy releases for poker flat and audiomatique and has since gone on to stellar highs with his own personal take on the genre, spanning, pop, rock, indie and classical. his debut album >the last resort< was released in 2006 to much international acclaim, and the producer also began to become an in-demand remixer in the house and techno world. as the decade wore on his sound continued to progress, opening up his studio to more live instrumentation, and a looser, rock-meets electronic vibe with his stunning >into the great wide yonder< lp. now this special double cd and double vinyl release celebrates some of the producer s favourite remixes he completed for other artists, and also some of his personal picks where other musicians have reworked his music.

byetone s new record symeta opens with a combined track - a transit - since topas and telegramm could be seen as one single piece. both tracks convey the atmosphere of a live session rather than the character of a studio production. the tracks are quite long and deal with repetition, layers of sounds, density and energy, more than melodic and engineering finesse. the whole album follows this approach, as it was fashioned within the context of live performances during the last two years. neuschnee Ð the third track Ð has an obviously reduced tempo, creating a wide landscape of sound with an intimate aura, which works as a counter draft to the other tracks of the record. with opal, the tempo speeds up again, a polyrhythmic phrase whirls around a straight beat, filters are turned, all that evokes the impression of early-90s minimal techno. byetone is basically interested in remembering, in a way to preserve, in citing rock/pop styles, without getting stuck in the past, whereas non of the tracks really fit into a specific genre. seen from this perspective, helix opens the final, more rocky block of the album. here, the tracks are offensive and rude and sound like a band in a rehearsal room. this part peaks with black peace in a high speed heavy metal session. finally, golden elegy closes symeta and a band-like situation occurs. the track ends with a wired lament, presented by jan kummer in the tenor of chemnitz, hometown of both artists. in former gdr-times, they started their musical activity with the brilliant-dilettantish ag geige, together with frank bretschneider (komet). symeta , the title of the album, appears mysterious. this synthetic word arouses associations with symmetry, synthesis or (meta-)structures. it doesn t stand for a definite object, there isn t any solution, and that is the reason why the title has been chosen. byetone s music tries to create such associations without really fulfilling these expectations. in this sense, symeta consequently follows death of a typographer (r-n92), the well received predecessor.

new album by portable. on the fifth longplayer, alan abrahams teams up with efdemin, johannes schšn and >sŸd electronic< labelmate lakuti, to lead us into infinity. during the last 15 years, alan lived & composed in south africa / england / portugal and germany. he released records on background / context / karat / musik krause / scape / spectral / sŸd electronics and yore.

5 cd set includes the albums, chic (1977), c est chic (1978), risque (1979), real people (1980) and take it off (1981).

leng records follows up last years out of town album with a selection of remixes and re-works of tracks taken from cantomas second long player ! out of town fused a wide variety of sounds and styles resulting in a beautiful, otherworldly album that moved effortlessly between blissful flamenco, shimmering, slo-mo nu disco, dubbed-out tango and haunting, ethereal soundscapes. the remixers were hand picked by cantoma aka phil mison due to their unique approach to music and their complementary production styles and the result is an album bursting with downtempo and dancefloor led remixes.

2011 release, a 1982 live recording from the legendary gambian experimental/psych band. for one decade guelewar was the biggest influence in the region of sene-gambian music. here in their last recording, the 12 members guide you to another level.

ex-harry pussy guitarist bill orcutt s 2009 side a new way to pay old debts was an instant classic for those attuned to his brand of stomach-scrapingly raw, hoary blues improvisation. few could have expected the album to be subsequently issued on cd by editions mego, but the more you thought about it the more it made sense - though all-acoustic, orcutt s music is every bit as extreme, violent and threshold-testing as that of, say, florian hecker, russell haswell or mika vainio. as if to prove it wasn t a token gesture towards eclecticism, mego boss peter rehberg has signed a brand new album from orcutt, and what an album it is. for the most part it s in that visceral, coruscating style that he s best known for, all finger-bleeding fretboard assaults that manage to sound at once virtuoso and completely out-of-control, reaching a psychotic climax on the visible bosom: but there are some more reflective passages too, hell, the title track might even be the most chilled thing he s ever recorded. the album was cut at d+m in berlin, which really teases every last drop of blood, sweat and tears out of the recording, which took place at orcutt s home studio in san francisco in spring of 2011. brutal, bludgeoning but incurably romantic, how the thing sings demands your steadfast attention. mind-blowing.

in keb darges own words: i ve done many a compilation in my day, mostly based around the tunes i played at my long running deep funk nights in madame jo jos. that night is no longer on the go, possibly due to a growing lack of interest on my part, (sorry). in the last few years the lost & found: nights at the club have been my real passion, and indeed little ediths and andy smiths passion too. what a marvelous era this is for good music. we may still have pure stuff like dub step: pulling in large numbers of sheep, but an equal number of youngsters are being attracted to retro, or at least retro sounding music. people tell me it is because the youth are fed up with computerized music, or men with drug problems angrily shouting at them over a dull repetitive beat, but i know lots of teenagers who have bypassed this muck all together. must be the internet that is helping kill off the demand for empty music. you no longer need to go to a retro club night, or indeed search out rare records to be exposed to good music, the internet is full of the stuff. my fifteen year old daughter is a marc bolan fan who while researching the poor fellows influences discovered chuck berry, sun records, etc, etc. i dont really know or understand why so many are at last getting into the good stuff, but they are, and it is wonderful for the likes of me.

nach digitalism & phoenix praesentiert das heissegehandelte, brasilianische dj-duo the twelves mit der neuen folge der mixserie -kitsune tabloid- einen definitiven anwaerter fuer das mixalbum des jahres! beruechtigt fuer ihre remixes, u.a. fuer m.i.a., la roux, aber auch fuer nirvana(!) und die beatles(!), liefert das dj/produzenten-duo the twelves aus rio de janeiro ein erstklassiges mixalbum auf dem pariser label kitsune ab. das tracklisting ist eine grandiose selektion aktueller trendsetter von siriusmo ueber juan maclean und daniel wang bis zongamin, dem aber ein feuerwerk an bislang unveroeffentlichten, exklusiven the twelves dubs ihrer juengsten remixes fuer solch angesagte hochkaraeter wie munk, metric, two door cinema club, french horn rebellion oder black strobe vorangeht. ob nu-disco, retro-house oder der ganze rest, the twelves bringen den funk zurueck auf den dancefloor! the twelves -kitsune tabloid- hat das zeug zum mixalbum des jahres!

you know the story by now, a string of super singles, a number one in the nialler9 irish song poll of 2010 (which turned them into temporary jerks kidding) and a constant string of live dates around the country have made squarehead one of the better bands in ireland and now, we re finally at the debut album chapter. its been a long time coming. squarehead initially recorded their debut album back in september and december last year with shane cullen in k9 studios and save for a couple of extra tracks and re-recordings of old favourites mother nurture and fake blood, the band have patiently been sitting on it since. yeah nothing is a dozen tracks of no-nonsense slacker indie pop, a fuzzy collection of lo-fi rock n roll inspired by surf-pop, old school rock n roll and bright guitars.

after spending 6 months of last year holed up writing in his london studio, charlie joined forces with acclaimed producer danton supple (coldplay, doves) to begin recording his debut solo album. the result is an accomplished 12 track record that oozes with vintage warmth and whose luscious melodies and occasional imperfections lend it a vibrant character and earnest charm. lead single -down down down- was rapturously received by charlies fans including fearne cotton who made it record of the week on radio 1.

last year, we here at mexican summer came under the spell of the starry kaplan sisters: piper and skylar, and their band pearl harbor, who graced the land with their beautific something about the chapparrals ep. funny how time flies for the beyond their year siblings, as its suddenly 2011 and pearl harbor now goes by the name of puro instinct. now piper and sky find themselves bolstered by four other bandmates: cody porter, jessie clavin, mike baum, and crazy murray to make their hazy, swirling pop even more realized and sumptuous.

sunrise is the largest outdoor festival in poland and this year the cds are mixed by the two variables in trance / progressive namely by judge jules and marcel woods. judge jules has been a pioneer in the global dance scene and still hosts one of the most listened to dance programs on bbc radio1. expect beautiful melodies interspersed with great progressive tracks and you have a real jules mix cd 2 is attributable to the netherlands pride, marcel woods, who also made this years anthem, called ??sunrise. be ready for mix of house, trance, tech house and progressive as marcel woods serves it you all. this sunrise 2011 compilation is a perfect and complete overview of what to expect at the this festival and in fact at all contemporary festivals. get into the mood for festivals and join the sunrise trip 2011.

dj diamond is 24 year old karlis griffin from the west side of chicago. he has been producing music since the age of 13 and djing since 20, heading the -flight muzik- clique of footwork producers. you might recall his two tracks from our -bangs & works vol.1- footwork compilation of last year. in addition hes also released several mix cds in chicago, but this, his first international album showcases his unique style of footwork music. dj diamond is a unique producer with his own distinct style and an unusual ear for unexpected sonic and rhythmic combinations within the footwork template. often he thoroughly edits samples into tiny trance-inducing, techno-like stabs. combining this with a penchant for neon synths and loose, broken drums (that are often more effect-laden and freeform than those of of his peers) and you have a sound which has an intriguing, deeper, dreamlike feel. the breadth and quality of his production is clear when you listen to this album. take opener -rep yo clique-s woozy drawling synths and tribal tom patterns next to -speakerz n tonguez- with it-s snapping snares, minimal, repetitive voice samples and martial, detailed drum work. then a track like -torture rack- which is like grime in outer space: a minimal bassline and some samples from a computer game, while a bass kick stumbles at half time, swarms of percussive detail giving it drama. its a brilliant exercise in wonky tension. the extraordinary -decoded- comes across like a kind of amalgam of trance and prog rock bombast at 160bpm while -wreckageÕs- high pitch saw noise is like a strange metallic bird-call, over light cymbals, gabba-like kicks and metallic claps. -digimons- harmonic microedits could even be an snd track transported to chicago. finally the albums closer -i choose you- rolls out over a heavily edited and processed soul sample, its drums rolling off at odd angles to almost seasick effect.

driver drive faster are a new band from manchester, but you wouldnt necessarily tell. this masterful debut album presents a rich, timeworn sound that exists somewhere between americana and spectral indie rock. its crafted song-writing at its best, hinging on stirring chord sequences and moments of fragile beauty. -a review described us as misfits,- says singer/ guitarist dylan giles. -we took it as a compliment.- named open house and recorded in the shared digs in which the entire band reside, the album was a labour of love begun in late 2009, poured over in 2010 and set for release in 2011. the result is a lush, layered record that slowly draws you into its world. think mercury revs deserters songs for a new generation.